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Rowan Morrison, Artist, Author, Auld Crone

WITCH - THE BOOK OF REMEMBRANCE
ABOUT THE BOOK
A creative weaving of literary and visual art scattered amongst the ashen names and unknown entries of the four thousand daughters and sons of Scotland persecuted for the crime of witchcraft.
DEDICATION
This creative memorial is dedicated to the ancestors of Scotland who suffered for the crime of witchcraft. The inky act of remembrance has been brought to life in a limited edition print run, through our successful Kickstarter campaign. It serves as the resting place for the names and unknown entries from the Scottish witch trial records.
VISUAL & LITERARY ART MEMORIAL BOOK
The book is 359 pages long and contains visual and literary art by Creative Coven 1563, plus images from the Unknown Witch submissions. A project that successfully inspired over 625 portraits, to give a face to every witch without a name in the trial records. You can check out the project video on www.youtube.com/@rowanmorrisonstoryteller.
The emotive art within its pages is interwoven with poetry and prose gifted by a collaborative cauldron of professional and amateur creatives. There are images of sculptures, drawings, multi-media art, paintings and three dimensional poppets.
BOOK CURATOR
It has been collated and designed by Rowan Morrison, artist, author and storyteller, whose remembrance work is a creative response to the Witchcraft Act of 1563. It is a fulfilment to a promise made long ago. Rowan has explored stories of the burning times for over 30 years and ritually keened at sites of persecution all over Scotland. She recently curated the exhibition, Voices & Visions of the WITCH at Dunfermline Carnegie, Library and Galleries. Some of the work is included in the book.
CAULDRON OF CONTRIBUTORS
The creative coven who weave remembrance of the Scottish witch hunts are; Karen Strang, Linda Morrow, Crabbit Carlin, Helen Wright, Katy Bremer, Jane Mather, with support from Samantha Neill,
The collective cauldron who gifted images, song, stories and poetry are; Marianne Berghuis, Julia Jeffrey, Marc Potts, Kelly Potts, Dan Goodfellow, Jackie Boniface, Tracey Swift, Tracey Evans, Hazel Ann McLean, Dave Philips, Janine Philips, Anita Inverarity, Kirsty B Buchan, Riikka Palonen, Nikki Rakov, Alison Bunker, Janis Wemyss, Margaret S. Malloch, Yvonne Brewer, Sharon May Hughes, Rena Gertz, Eve Davidson, Linda Kincaid, Kerstin Fricke, Kelly Grettler, Jenny Catalano, Helen Woodsford Dean, Margaret Ferguson Burns, Muriel Mackenzie, Amy B Mereno, Katrina Cook, Sharon Mcleod and Raven Stark.
A special thank you goes out to Laurna Cron for putting the list of entries into chronological and alphabetical order for me.
JOURNEY THROUGH THE BURNING TIMES
The names and unknown entries in the book are presented in chronological order (mostly alphabetical), so you can journey through the burning times year by year, to bear witness to the so-called witch panics and persecutions that are the shame of Scotland. The main body of work begins in 1560, with the Scottish Reformation, and ends in 1722, with the execution of Janet Horne, known as the last witch of Scotland.
STORY THREADS
There are over 80 story threads of women, men and children who suffered religious and secular witch persecution, in a time when the skies above Scotland were lit with flames, fuelled by the flesh of burning women. They vary in length, some of these stories will be know and some are off people who spoke to me during the collation of the names. We hope that as a collective we have raised awareness of the injustice suffered and honoured the ancestral accused.
HEALING TIME
Its hallowed pages are a balm for a deep ancestral wound that remains unhealed. The time has come to honour the accused, not for glory, nor riches, but to redress the grave injustice inflicted upon those who suffered for the crime of witchcraft.
Love Rowan, Creative Coven 1563 & Auld Horny X

"Rowan engaged all my senses when she began to weave her captivating tale. I was swept away to a time and place where time stands still, and delight filled my soul. Every gesture and inflection of her velvet voice thrilled my being. I did not wish the story to end and was spellbound, transported, and transformed by her mastery of the art of storytelling".
(Jan Lucier)



